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More and more independent films are being produced with higher profit margins than studio pictures.  An independent film is a film initially produced without financing or distribution from a major movie studio. Often, films that receive less than 50% of their budget from major studio are also considered “independent”. According to MPAA data, January through March 2005 showed approximately 15% of US domestic box office revenue was from independent or indie studios. In the past few years, a growing segment of moviegoers has been drawn to these unconventional films.
(Learn More: CNN.com;
September 22, 2006, Independent films move into spotlight)

What triggered the rise of Indie films?  With the advent of the videocassette recorder and cable television, more independent movies were made during the 1980s.  These technologies opened up new revenue streams, outside of risky and expensive theatrical releases, making it easier to make money on smaller films.  And as major studios increasingly concentrated on producing big-budget films, independents filled a void.  By 1989, there were more than 50 million cable households. Cable viewers were accustomed to a wider variety of entertainment choices, making them more receptive to new kinds of films.  Thus, the convergence of new technologies and demographic changes in the 1980s helped create the circumstances that were conducive to the growth of Indies in the 1990s and today. All this has helped to make Indies a hot commodity in Hollywood and on Wall Street.
(Learn More: Wall Street Journal;
Jan 27, 2006, The Sun Rises at Sundance; After Pricey Flops, Low-Budget Films Are Grabbing Hollywood’s Attention)

The success and profitability of indie films has attracted some of the most successful business people in the world.  Fred Smith of Fedex and Norman Waitt of Gateway Computers who financed “My Big Fat Greek Wedding”, Max Levchin and David Sacks of PayPal, Marc Turtletaub from The Money Store, Roger Marino from EMC Corp, former Chicago Bulls co-owner Jim Stern, Jeff Skoll of EBay, Sidney Kimmel of Jones Apparel Group, Minnesota Twins owner Bill Pohlad, real estate developers such as Bob Yari and others all started to bankroll independent films.
(Learn More:
San Francisco Chronicle; December 29, 2005, Google team sets sights on big screen)

The following are statistics, published in Filmmaker Magazine and the Internet Movie Database.   It is important to note that domestic box office numbers presented reflect only one source of revenue for independent films. The figures do not account for video, foreign sales, and other various sources of revenue.

               Most Profitable Movies of the Last 10 Years, Based on Return on Investment

 

Year

Movie

Distributor

Budget

Domestic Gross

Profit Ratio 

1

1999

The Blair Witch Project

Artisan

$35,000

$141,000,000

4029

2

2004

Open Water

Lion's Gate

$130,000

$30,500,00

235

3

2004

Napoleon Dynamite

Fox Searchlight

$400,000

$44,500,000

111

4

2002

My Big Fat Greek Wedding

IFC Films

$5,000,000

$241,000,000

48

5

1997

Chasing Amy

Criterion Collection 

$250,000

$12,000,000

48

6

2004

Saw

Lion's Gate

$1,200,000

$55,200,000

46

7

2004

Super Size Me

Hart Sharp Video

$65,000

$11,500,000

38

8

2005

Saw 2

Lion's Gate

$4,000,000

$87,000,000

22

9

2001

In The Bedroom

Miramax Films

$1,700,000

35,900,000

21

10

2005

Wolf Creek

Weinstein Company

$1,000,000

$16,200,000

16

Over the last decade every major studio has bought or established an art-house division in an attempt to win some of this market.  As the majors have gotten involved in the production and distribution of Indies, budgets for some Indies have increased, and the line between independent and studio releases has gotten fuzzier.  Indies have become so mainstream that they now form an industry that runs not so much against Hollywood, as parallel to Hollywood.
(Learn More: N
ew York Times; May 29, 2005, The Meaning Of 'Indie')

Independent films now compete with studio movies for high grosses at the box office, and make up more than 60% of all theatrical releases.  The independent filmmaker has the freedom to make creative decisions, unencumbered by the studios. 

Indie-Producing Studios

The major commercial film industry in the United States is in Hollywood, while much of the independent film industry is in New York City. The following studios are considered to be the most prevalent of the independent studios:

Note that many of the above studios are actually subsidiaries of larger studios - for example, Sony Pictures Classics is owned by Sony Pictures and is designed to develop less commercial, more character driven films, and Fox Searchlight (which released the surprise hit Bend It Like Beckham) belongs to the same company that owns 20th Century Fox. It is often argued that subsidiaries of major studios, as part of their larger, major studio parent companies, are not "true" independent film studios.

In addition to these higher profile "independent" studios there are thousands of smaller production companies that produce truly independent films every year. These smaller companies look to regionally release their films theatrically or for additional financing and resources to distribute, advertise and exhibit their project on a national scale.

Significant Independent Films


 

 

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